Golden Globe-winning composer MM Keeravani opens up on how film music has evolved; says, “I had to consciously maintain the difference between North Indian and South music, but not anymore” : Bollywood News

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The yr’s begun on a stable observe for composer and singer M.M. Keeravani, recognized to Hindi movies as M.M. Keeravani, with the 80th Golden Globe award for Finest Authentic Track with ‘Naatu Naatu’ from RRR, the Critics’ Selection award by the American-Canadian Critics’ Selection Affiliation (CCA) and an Oscar nomination for the 95th Academy Awards. As a full-fledged rating, he has additionally gained the LAFCA (Los Angeles Movie Critics’ Affiliation) trophy as effectively. And three extra nominations are pending—all from US!

Golden Globe-winning composer MM Keeravani opens up on how film music has evolved; says, “I had to consciously maintain the difference between North Indian and South music, but not anymore”

Golden Globe-winning composer MM Keeravani opens up on how movie music has advanced; says, “I needed to consciously keep the distinction between North Indian and South music, however not anymore”

Recognizing this humongous expertise who has composed music for round 250 movies in 5 languages over 32 years, the federal government of India has additionally conferred the Padma Shri on him. Ask if all these honours had been anticipated, and the composer-singer replies affably, “I don’t anticipate something. I simply do my work. Expectations solely result in despair and disappointment!”

The composer has additionally delivered stable aces in Hindi—Mahesh Bhatt’s Prison and Zakham, Sudhir Mishra’s Iss Raat Ki Subah Nahin, Tanuja Chandra’s Sur, Pooja Bhatt’s Jism, Amol Palekar’s and Shah Rukh Khan’s Paheli.

Once we met a few years in the past, he had burdened on how his Hindi music (“Not like that of my colleagues down South”) had nothing Southern in tenor or texture, whereas his South Indian scores had been completely not like a Hindi movie rating. M.M. Kreem acknowledged, “I’ve been a Binaca Geet Mala since childhood. Among the many composers, I’ve a particular regard for Madan Mohan-ji. I do know what I need to do.”

So together with his cousin, filmmaker S.S. Rajamouli, moving into Hindi-Telugu and extra multilingual movies just like the Bahubali franchise and now RRR, how does he method the music of such movies?

Says Kreem candidly, “Not simply music, however now we have to divide even films and humanities as earlier than 2G and 3G and after them!  Earlier, I needed to consciously keep the distinction between North Indian and South Indian music, however not anymore. Simply think about a truck-driver delivering items from Kashmir to Kanyakumari at present. As he drives for 4 days, he now passes via so many states and listens to all types of songs on the way in which—Bengali, Marathi, Western, Egyptian, Christian devotionals, South Indian and so forth. He has now obtained attuned to international music. So there is no such thing as a want to keep up a selected regional texture anymore!  And I name Bahubali and RRR World Music.”

And the way in which issues have gone, he’s proper.

Additionally Learn: Trivia Tunes: From ‘Naatu Naatu’ composer MM Keeravani seeking insights to Naushad needing special presidential access and the origins of the track ‘Chhoti Si Yeh Duniya’, here’s Bollywood music trivia for the month

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